Free PDF The Wagner Operas, by Ernest Newman
Buch, wird sicherlich nicht bezieht sich ständig auf das, was Sie bekommen sollte. Bok kann auch in einigen zahlreichen Stilen bleiben. Religion, Wissenschaft, socials, Sport, Politik, Gesetzgebung und verschiedene Arten Buch am Ende die Mittel zu sein, die Sie häufig benötigen alle zu überprüfen. Dennoch, wenn Sie die Analyse der Praxis gehabt haben und mehr Publikationen als The Wagner Operas, By Ernest Newman herausfinden, können Sie viel besser fühlen. Warum? Da ist Ihre Möglichkeit zu bewerten, nicht nur für die Notwendigkeit, in dieser Zeit, sondern zusätzlich für eine kontinuierlichen Aktivitäten immer verbessern sowie Ihre bessere Zukunft zu steigern und auch das Leben hohe Qualität.
The Wagner Operas, by Ernest Newman
Free PDF The Wagner Operas, by Ernest Newman
in dieser neuen Periode befinden, werden Sie beabsichtigen, immer mit anderen zu konkurrieren. Unter dem modalen die Idee, Geist, sowie Wissen zu vervollständigen enthalten, dass von jemandem auf erleben. Um dieses Problem zu verwalten, braucht jeder viel besseres Wissen, Verstand zu haben, und auch angenommen. Es ist zu fühlen mit dem anderen konkurrierte, natürlich die Großzügigkeit dabei und auch das Leben viel besser zu sein. Eine der Art und Weise in, die durch eine Analyse durchgeführt werden kann, ist.
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Amazon.de
Ernest Newman's study of the major Wagner operas (from Der fliegende Holländer onwards) was originally published in 1949 and rapidly achieved the status of a classic opera text, which it retains to this day. There are plenty of other, differing treatments of the stories of the operas, but none as detailed or as dramatically aware as Newman's magisterial volume. Of course, the reprint does not contain information about the composer and his works that would later come to light, nor does it traffic in current modes of thought about the operas (in some cases, thankfully). What Newman does is begin with a history of the myth or the tales on which each opera is based, widening that out to a discussion of Wagner's interest in the story, his involvement with its genesis, and an account of how the work in question was created and first produced. Since in some cases this gestation took years, Newman's clear explication does much to lift the mists surrounding even the simplest of Wagner's operas. He then discusses each opera in detail. The plethora of musical examples and Newman's understanding of Wagner's use of the leitmotif ensure that his readings are responsive both to the histrionic and musical aspects of the stories. Reading the details of the often complex backgrounds of the operas, as well as what goes on in the opera itself (the discussion of Die Meistersinger von Nürnberg alone runs to more than 110 pages of text), should immeasurably enrich the listener's opera-going experience, even in this age of the surtitle. And an appreciation of the range and cogency of Wagner's musical and dramatic genius, which this book offers, will serve to balance the unflattering portrait of Wagner the human being that dominates today's thinking about the Master. --Patrick J. Smith
Pressestimmen
"Newman is one of the preeminent authorities on the German composer. This title analyzes ten of Wagner's greatest operas."--Library Journal
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 744 Seiten
Verlag: Princeton University Press; Auflage: Reprint (13. Oktober 1991)
Sprache: Englisch
ISBN-10: 0691027161
ISBN-13: 978-0691027166
Größe und/oder Gewicht:
15,2 x 4,7 x 22,9 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
1 Kundenrezension
Amazon Bestseller-Rang:
Nr. 370.481 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Nobody ever wrote more insighfully, brilliantly and accessibly about the titanic contribution of Richard Wagner to western culture than did E. Newman. This is a classic that should be read by all and anyone interested in what all the fuss is about. It's an old book but it's not dated. Take his translations seriously. Even though there are a lot of anachronisms (thou sayest...etc), they were anachronisms that RW intended when he wrote the poem. May I also recommend the Solti Recording of the Ring; the Furtwangler studio recording of Tristan; the Jochum Meistersinger and (gasp) the Levine Parsifal (the Knappertsbusch is sublime in so many special ways you may have to buy both. May I also recommend the Ring Interactive CD Rom. It is a blast.
Really useful preparatory reading for attending opera performances. I've owned a hard copy of this masterpiece for more than 40 years, but the Kindle version is useful for its portability.Each of the operas, from Dutchman onwards, gets a serious, but very readable, essay. This covers the literary background, the changes Wagner made for his opera, a detailed analysis of the plot and a guide to the musical themes.I rarely attend a performance without rereading the essay beforehand.
The Wagner Operas by Ernest Newman is an old book that has never been out of print. In it Newman takes the operas and musical drams of Wagner that are part of the standard repertoire and discusses the source background for Wagner's treatment, the history of the writing process and the story of the opera with comments on its staging and musical development. The later is accompanied by stort examples of the music written in standard musical notations. Newman does this with a minimum of technical language making the book highly accesible for those who have not studied music. The book was first published in England in 1947 and is a distillation of his monumental four volume biography and analysis of Wagner.Any readers who are interested in Wagner will find material of interest here, no matter how familiar they might be with the the operas and musical dramas. There are some things that should be considered by the reader. 1)Newman's idea of staging is that of Wagner's. Written before the Wagner' grandsons began revised staging at Bayreuth and without any thought of the caprices of modern regio-opera staging we are given what Wagner intened minus modern heavy metal or plank riding Walkuries. 2) Slightly anoying is Newman's snide comments on Wagner's earlier romantic operas (Dutchman, Tannhauser and Lohengrin) for not being later musical dramas. Newman is also blind to the fact that even as late as Gotterdammurg, Wagner did not hestiate to return to this earlier form when needed (e.g. The trio in the second act with Brunhild, Hagen and Gunther). But these are minor quibbles in an excellent book
This is a great, definitive look at the 10 principal Wagner operas, with useful historical context, a scene-by-scene breakdown of each opera, and lots of musical excerpts (in piano reduction form) for music-readers. Awesome for prepping for your first Ring cycle, or for digging a little deeper into that Tristan you just saw.
Nobody ever wrote more insighfully, brilliantly and accessibly about the titanic contribution of Richard Wagner to western culture than did E. Newman. This is a classic that should be read by all and anyone interested in what all the fuss is about. It's an old book but it's not dated. Take his translations seriously. Even though there are a lot of anachronisms (thou sayest...etc), they were anachronisms that RW intended when he wrote the poem. May I also recommend the Solti Recording of the Ring; the Furtwangler studio recording of Tristan; the Jochum Meistersinger and (gasp) the Levine Parsifal (the Knappertsbusch is sublime in so many special ways you may have to buy both. May I also recommend the Ring Interactive CD Rom. It is a blast.
Logically organized and contains a wealth of information, while still being accessible.
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